Archive for the ‘ gear ’ Category

updates: apple, canon + onone

they’re coming fast + furious these days, which i have to admit i don’t mind a bit. nice to satisfy the inner geek once in awhile. that past two weeks have seen major updates for apple, canon + onone (software manufacturer).

the biggie for the general public is the apple keynote earlier this week from the ongoing worldwide developers conference (WWDC) in sf which let loose new macbooks + safari as well as a new iphone + update. you can watch the keynote yourself here (as if you haven’t already). all in all great stuff, especially as the creative community is always hungry for speed. have to admit though that i was let down with the whopping upgrade in the iphone camera – from 2 mp to 3?!?! not that we need 45mp or something but at this stage one would think it would be a notch or two higher. the video, of course, will be grabbing all the attention anyway so i’m sure there’ll be more camera on the next go ’round. the mobile me upgrade is a damn good call + i’m sure it won’t be seeing much fanfare.

canon had the cojones to give us what we’ve been asking for last week and this is good stuff – full manual control in HD video. now i’ve been running this thru the paces + am much more at home with it than the auto controls. of course i shoot primarily manual with my cameras anyway so this is a natural progression for me. the freedom is well worth the wait. tech wise, i have a grasp on the iso changes + the physical aspects of aperture but what does the !??! does shutter do when working in video + why does it stop @ 1/30th???. you switch the dial up + sure enough get light adjustments but what’s causing that – you’re not changing frame rate or anything? anyone?

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last on the upgrade list is onone software with their much trumpeted DSLR camera remote app for the iphone. now i may be an iphone kinda guy but i had trouble getting this to function where i needed it – mainly because it needs a computer connected directly to the camera. for me that doesn’t happen all that often, at least not where we’re dealing with a remote when you can work with pocket wizards or the canon TC-80N3 intervalometer sans computer (or if you’re a real geek). inside, however, this slick interfaced little app did studio work proud especially the live view feature, brilliant, but outside on an ad hoc network i was SOL.

trying to come up with a reason why i should buy the app the one thing i thought of was the possibility of using the intervalometer feature (check the video here) simultaneously with my canon intervalometer. working one camera wide + the other shallow i envisioned a time lapse that could run split screen with both big picture + detail. we’re putting the video together now but suffice it to say that despite setting up my macbook pro mere inches from the largest lake in glacier national park in order to run the iphone app via an ad hoc network i was allowed only a single image. the rest i ran on my own, which in the end wasn’t such a bad workaround.

so tying these three seemingly unrelated updates all together, what might be the best thing now that onone has to update the app for the new iphone 3GS anyway, is to simply drop the computer from the scenario + work with canon to get some type of bluetooth or similar set up in the camera so that the images can be downloaded directly to the phone. better now that apple had provided us 32gb versions as the norm.

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canon is on it

outstanding news from the largest camera maker on the planet + something that huge numbers of us out in the field have been pulling for. canon is introducing the first ever full frame DSLR with manual exposure video control in june. this includes aperture, shutter + ISO. absolutely fantastic. and making the deal even sweeter it’s a simple firmware update for the 5D mark II.

if you’ve had the pleasure of shooting with this beast then you know the frustration that video provided in terms of manual control. there were of course workarounds but there’s nothing, regardless of the field, like manual control. in it’s current state it’s a bit like working with handcuffs on – really nice handcuffs but limiting nonetheless. can’t wait to kick out new work with this new package.

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ira glass, bono, canon + the new face of search

here’s a great way to start the week – a sweet mix of inspiration in the form of new hacks + variations and a discussion on crap.

one of public radio’s greatest features is no doubt, this american life, hosted by ira glass. a long time radio host/producer who’s now expanded into tv. you know that he knows his stuff by the way he puts his shows together. the topics are engaging and the edits are tight. was discussing my post “edit” + the idea of how to get to the best of your work lately and this came up. part of a larger series, here’s why we all have to deal with the crap.

in your quest to fight through all the ho-hum mediocre stuff, here’s some fascinating alternative firmware for canon point+shoots called CHDK. it unlocks a ton of hidden potential in your powershot camera – HDR bracketing, time lapse + my friend ross’ favorite, motion detection! supposedly fast enought to get lightning strikes… wtf! haven’t tried it yet but definitely worth a go. and if you’re wondering the G9 is compatible thank you very much. cheers for the connect ross.

the best way to find more info on CHDK or anything online for that matter is now here. google’s been great at searching + really can’t be beat there but for the new wave of information presentation, the future will look a lot like kosmixthe web organized for you. another well financed silicon valley start up it is but another search engine it is not. not only does it find what you’re after but it presents it an encyclopedic format – a wiki definition, images, blogs links, videos, related links – all right in front of you in a google second. hard to go back once you’ve given it a whirl.

more inspiration ala pdx’s own w|k with their latest for nike + king james. the candyman is back (which incidently is the only nickname i ever really had) is up on their blog.

and lastly a bit of bono, inline with the new release, on theft. in this case, music theft via the copyright alliance blog.

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ethics + adobe + canon

to follow up on my last post regarding ethics in photography, it’s no doubt a can of worms. the photographers i spoke with about it are conflicted on each side. regardless of the specific issues the argument boils down to “i’d never touch that kind of dirty money” or “i’d take every red cent and do something with it”.

i firmly believe that no matter the work there’s always someone who will take it. with that in mind by passing on such an offer you’re serving it up to someone who may or may not have your scruples. they may not be as ethically aware as you are and the money would go entirely in their own pocket. if it’s an issue i felt strongly enough about i would personally take the job, bid it up even, and then dump all of the funds into a cause that more accurately reflects my beliefs.

photographer and photoshop guru dave marx put it best when he wrote me, “vote with your wallet because money trumps morals when it comes to [insert cause here]“. in my book that’s right on the money.

and speaking of dave, he’s the brains behind the blog computers for photographers i’ve mentioned before. great place for all the latest tech news pertaining to computers within our realm including the latest on CS4. dave has details covering his take on four big changes the newest version will provide photography – three dimensional imagery, 360 degree stitching (more on this soon), seam carving and motion. but perhaps the best part of the update is his take on the future of where our field is going – what is a photograph? how will motion play into things?

and with these dimensions rapidly expanding in every direction canon has upped the ante again with today’s announcement of the 5D MkII. It’s all over dpreview and wired but in a nutshell they’ve kept the beloved size of the 5D and packed that body with a kick ass 21mp CMOS sensor, an expanded ISO range and full 30fps HD movie capibility. due out in november, there’s no looking back now.

for more on the new 5D canon has a press release out here. slient mode, varible RAW sizes, live view … sounds like kit from knight rider reborn. and aside from all the attention swirling around that the new G10 squeeked out as well. not as big of a jump as the 5D from what i’ve seen but both substanial additions to the market. talking with my tech guy gary today at calumet and he’s got me on the list for a new one so we’ll see soon enough.

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access as success

I was talking with a friend recently about the success ratio of photographs and how to improve that. He works as a ski guide in Canada and uses a point and shoot to nab images for clients while he’s working. The kicker is that his images are quite good. Why? He keeps the camera in his front pocket and it literally takes him a second to pull it out – there’s no room for doubt.

Why do I mention this? I think this is THE largest detractor from shooting any shot – how much perceived trouble is it to access one’s camera. This doesn’t solely apply to pros but across the board. If you can improve access to your camera then your shot ratio will definitely increase as you have little trouble to overcome, no reason for hesitation. And the more you push that button the more the images improve.

For me access was everything. When I began to sink my teeth into photography I was living in Japan. A friend sent me down to Denki Town in Osaka where anything and everything electronic is sold. In preparation for a half year adventure in Southeast Asia I nabbed a Tamrac courier style camera bag (still have it too). This move alone vastly improved my photography as my camera was never buried in a bag, at the bottom of a backpack or stuck in a suitcase. Not that every shot from that trip was a winner but my ratio definitely went through the roof.

A current parallel for me has been the Canon G9. Great camera and though heavier than I’d like you can keep it with you a good chunk of the time and end up with great images. And when I’m on location, particularly an active hands on job, I’ve developed my own bags and systems to make sure that I can easily access my gear regardless of the weather or my position. It’s an ongoing process this picture business but finding a way to keep access to your tools is one of the most effective changes you can make. My friend the guide, he’s shooting more than ever with his pocket point & shoot and as you can see it’s working.

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Creative Fringe to Mainstream

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Interesting piece in the NY Times magazine this AM though it wasn’t the title that caught me. It was the subtitle – Photo Finish : In a curious reversal, an innovation travels from the mainstream to the creative fringe – and disappears. Written by Rob Walker, it covers the news that’s been out for a few weeks but is just starting to sink in.

Not many examples of anything moving from mainstream to fringe and then disappearing in any field these days. It’s always the other way around, especially with marketing teams and research groups feeding off the independent creations and fads of the Y generation and it’s tech savy masses. If you think about it it’s downright crazy, definite Wired magazine material. The very definition of innovation revolves around the concept of making something new or introducing new ideas, i.e., those outside the mainstream.

Curious how Polaroid has shaped the industry, basically providing the climate of instant feedback that has only escalated today. Would commercial shoots today rely on having a 30″ Mac screen onsite for AD review, would studios have to work wirelessly to provide clients with a chance to participate in the process if Polaroid hadn’t started that process back in the day?

At one time photography was the only one among all the arts where the process couldn’t be altered while it was occurring. Sure one can move objects, change position or shift models but once the button is pushed, that’s it. Think about it, when you paint or draw or write you have the ability to erase a small part or take a step back in order to keep the whole in line with an idea. That has forever changed.

Being a Polaroid fan myself I’m definitely looking to stock up on film and keep using mine for years. Picked up my current model in 2000 at a piano store for $15 and have carried it around and used it for years. In fact those are some of the best travel images and memories I have. Huge disappoint and loss of history to see the Polaroid going away.

And Polaroid has history – it’s been around since 1948 after being founded by a Harvard dropout. Was on the cover of Time magazine with the headline “Here Come Those Great New Cameras”. Ansel Adams was a one time consultant. And who hasn’t been on a high end shoot without using Polaroids (at least up until five years ago).

The brand has since moved into agreements putting it’s name on various products and has even expressed a willingness to license its technology to interested parties but so far no takers. Quoting the article,

“The creative fringe that still loves instant photography does not seem to be satisfied with this. That

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Year in PREview

Rather than look back at all the water under the bridge that made up 2007 I

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