Archive for the ‘ national parks ’ Category

it’s here, almost. americans

so good friends over at counter production are finally putting the finishing touches on their latest documentary – americans. was fantastic working with them last year in montana on the blackfeet nation. what an amazing place + amazing people with a heartfelt story to share.

this was the inspiration for my blackfeet gallery. of which we’ll be releasing more images once the movie is out so as not to give away too much. you can also see my pdn photo annual shot done on location on the reservation here. really stoked on cp’s work + the new site. keep an eye for release dates for this sucker, especially if you live near an independent film festival.

nico’s got fantastic production stills to share from this job + previous work all over the place – italy, new zealand, india + more. definitely take a look.

+ if you think you work hard, try making a small scale independent doc. nico + anna + crew busted chops for more then a year on this thing. entirely funded via donations + local support including a handful of local museums. here’s a shot of the trailer that was home in east glacier for a few months until it got too cold. + if you ever get the chance, jump in. it’s worth it.

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updates: apple, canon + onone

they’re coming fast + furious these days, which i have to admit i don’t mind a bit. nice to satisfy the inner geek once in awhile. that past two weeks have seen major updates for apple, canon + onone (software manufacturer).

the biggie for the general public is the apple keynote earlier this week from the ongoing worldwide developers conference (WWDC) in sf which let loose new macbooks + safari as well as a new iphone + update. you can watch the keynote yourself here (as if you haven’t already). all in all great stuff, especially as the creative community is always hungry for speed. have to admit though that i was let down with the whopping upgrade in the iphone camera – from 2 mp to 3?!?! not that we need 45mp or something but at this stage one would think it would be a notch or two higher. the video, of course, will be grabbing all the attention anyway so i’m sure there’ll be more camera on the next go ’round. the mobile me upgrade is a damn good call + i’m sure it won’t be seeing much fanfare.

canon had the cojones to give us what we’ve been asking for last week and this is good stuff – full manual control in HD video. now i’ve been running this thru the paces + am much more at home with it than the auto controls. of course i shoot primarily manual with my cameras anyway so this is a natural progression for me. the freedom is well worth the wait. tech wise, i have a grasp on the iso changes + the physical aspects of aperture but what does the !??! does shutter do when working in video + why does it stop @ 1/30th???. you switch the dial up + sure enough get light adjustments but what’s causing that – you’re not changing frame rate or anything? anyone?

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last on the upgrade list is onone software with their much trumpeted DSLR camera remote app for the iphone. now i may be an iphone kinda guy but i had trouble getting this to function where i needed it – mainly because it needs a computer connected directly to the camera. for me that doesn’t happen all that often, at least not where we’re dealing with a remote when you can work with pocket wizards or the canon TC-80N3 intervalometer sans computer (or if you’re a real geek). inside, however, this slick interfaced little app did studio work proud especially the live view feature, brilliant, but outside on an ad hoc network i was SOL.

trying to come up with a reason why i should buy the app the one thing i thought of was the possibility of using the intervalometer feature (check the video here) simultaneously with my canon intervalometer. working one camera wide + the other shallow i envisioned a time lapse that could run split screen with both big picture + detail. we’re putting the video together now but suffice it to say that despite setting up my macbook pro mere inches from the largest lake in glacier national park in order to run the iphone app via an ad hoc network i was allowed only a single image. the rest i ran on my own, which in the end wasn’t such a bad workaround.

so tying these three seemingly unrelated updates all together, what might be the best thing now that onone has to update the app for the new iphone 3GS anyway, is to simply drop the computer from the scenario + work with canon to get some type of bluetooth or similar set up in the camera so that the images can be downloaded directly to the phone. better now that apple had provided us 32gb versions as the norm.

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Green

Earth Day mentions for this green week:

First of all, a handful of ideas I touched on back in 10.2007 here including writing in green causes as line items. And if you’re into the work of recent Rowell Award winner James Balog, then this post on Glacier National Park photography I previously alluded to is right up your alley.

Closer to me personally is my video point man Nico Hudak. Brilliant with motion and capable of creativity beyond mere mortals Nico is a great collaborator. We have a great things in store. While you can check out his work anytime here, inline with the cause of the week check out his documentary Triple Bottom Line (above). If you’re unfamiliar with the phrase check it out and start making it work. The NY Times Magazine even brings it up this week.

The photo community has it’s green fill via the pdnonline segment, “Shooting For Green Agencies” though you have to have a subscription (not a bad idea). More in the feature story, “Paint It Green” in PDN’s April 2008 issue.

Lastly, for all you trend setters in this week of looking ahead, don’t forget to pay attention to the future … or at least don’t ignore those who have.

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Out of the City, Not Out of the Game

Took me at least 10 minutes to get to the office this am – the sidewalks were icy and I was walking. Had to head down valley to find a few parts I needed recently. Couldn’t shoot a few weeks ago as an Arctic front moved in and the temps dropped way below zero (both c & f).

Gotham it’s not. But working as a location photographer some distance from anything of standard metro value really suits me. Aside from the obvious choices for quality of life, family, space and a ginormous spectrum of recreation the people and pace make a difference.

The way the blogs roll these days it’s hard to not to hear about everything that’s happening. Sure, I know folks that don’t have an email address but it’s for the right reason and suits the lifestyle just fine. My Mac tech on the other hand has an iphone, two old school cell phones and a server farm that registers a noticeable percentage of energy consumption on the local grid.

But I’m down with these discrepancies and I know I’m not the only one. As my office is booking regional and national accounts for the year it always amazes me who chooses to look beyond the options in front of them and who doesn’t. I’m thankful for each client that I get to establish a relationship with but I don’t think they have it too bad either if they get to come visit the Rockies for a week.

With everything from cajun to sushi and amenities that cater to those with means beyond most of us the possibilities for a damn good time are endless (as long as you don’t stay for more than a week). Location wise there the opps are endless – a national park, a lake larger than any freshwater west of the Mississippi, ski resorts, wilderness, Native American communities, vast fields, mountains, and more.

And the thing that ties it together and always brings the greatest of color into my shoots are the people. It’s amazing how rock solid people still are. Access to almost anything here in the northern Rockies is a simple polite question away.

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My point is, look around. It’s way too way too easy to get caught up in the latest fads and the current homogenous mindset. It’s common sense to be in touch and up on the latest but that shouldn’t be at the expense of what’s right in front of you. After all, the real adventure consists not of seeing new sights but in seeing the sights around you with new eyes.

“Make visible that, which without you, would never have been seen.”

Robert Bresson

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Winter

20071207_mtuniform_pano2.jpgIt’s here. With a bit of back and forth winter’s arrived in the northern Rockies. The image here is from the latest storm system to rumble through the area. It features a huge swath of primarily public lands encompassing local, state and federal controls. Coincidently enough there is actually a hearing this week in the House of Representatives regarding photography & public lands. Here’s the word from ASMP:

“On Wednesday, Dec. 12, the House Committee on Natural Resources will hold a hearing on

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Crazy Image Archive

Being lucky enough to live near part of the US & Canadian National Park systems and travel to other parts on a regular basis I’ve always kept an eye out for classic and historical images. It’s one thing to know changes are taking place but carries so much more of an impact when one can witness the long term affects. This can be both beneficial and depressing but overall it’s a clear avenue of the power of photography.

Recently, I came across work that the National Park Service itself, or more specifically the USGS (US Geological Survey), has put together for their own records as well as public use. This specifically deals with Glacier National Park but I’m sure there are other similar projects out there.
Landscape Change Photography is made up of two main components in a series of ongoing photography projects.

Panoramic photographs is a collection “of infrared and panchromatic photographs of Glacier National Park that were taken around 1935 with an Osborne photo-recording transit”.

The second, Repeat Photography, is the documentation of the namesake Glacier’s in the park and their “dramatic glacial recession”. (The current estimate is that every single one will be gone in our lifetime, sometime in the next 25 years.)There is a fascinating description of how the images played out and have come to be available and interpreted today. Identifying features, fires, equipment – it’s all there.

“Carrying over 75lbs of camera plus personal gear up to fire lookouts throughout the park was a demanding task. Mules can be seen in several of the photographs and were used to help the photographer transport equipment. The hundreds of photographs taken by Mr. Moe provide excellent documentation of what National Park Service sites looked like in the 1930s. The National Park Service announced the completion of this project in a newsletter excerpted below.

‘Chief Forester Coffman announces completion of a 4-year project for obtaining panoramic photographs from the 200 existing and proposed forest fire lookouts throughout the entire Federal Park System.The photographic work, done by Junior Forester Moe, entailed many hardships not only in packing the necessary equipment weighing upwards of 100 pounds to lookout points, but also in climbing trees, poles, temporary towers, or roofs of lookouts with the equipment and facing the extreme winds that occur so frequently at high elevations.

Park Service Bulletin, June 1938, pg. 6′”

Historical archives such as these that are with the Park Service and other government bodies are typically available for public viewing if not, non-commercial use. It’s one way to visually explore and pick up a spot of history. After all we’re paying for it.

Additionally, aside from the green photo opps locales such as Glacier National Park are known for, the ‘face of use’ as demonstrated by the above images is continually shifting these days. Glacier alone has been in a multitude of news pieces as a recognizable face of global warming. Most recently James Balog in a recent National Geographic Adventure feature (Portrait of a Meltdown – Oct 2007) has covered this issue and the park extensively. And in the realm of interesting and experimental photography James has carried this into a fascinating project involving 26 cameras and 300,000 images called Extreme Ice Survey.

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Public Lands Permit Policy

Here’s the latest on a US government permit change that affects anyone shooting on location outside on a majority of public lands. The public comment period is almost up (Oct 19th) so speak now. This was brought to my attention by fine art photographer Nelcha Cross. Here’s her report:

“The U.S Bureau of Land Management, the U.S. National Park Service, and the U.S. Fish and Wildlife Service propose changes to 43 CFR Part 5 that would require a permit for still photography using models, sets, or props, in much the same manner as Public Law 106-206. Nominally, at least, there should be little change from current policy. The devil is always in the details, however. Under the proposed rule, still photography would require a permit if:

It uses model(s), sets(s), or prop(s) that are not a part of the location’s natural or cultural resources or administrative facilities.

Unfortunately, the proposed rule doesn’t define “model” or “prop.” Common sense suggests that a model is “one who is employed to display clothes or to appear in displays of other merchandise,” and a prop is perhaps an item that might appear in a product advertisement. However, unlike current policies, the proposed rule does not tie models, sets, or props to commercial advertising. Without this connection, a model could be anyone who poses for a photographer, and a prop could be almost any object that isn’t part of the natural landscape. Thus a tourist on public lands could require a permit to photograph her spouse or her car. I doubt that the intent is anything quite this drastic; however, I have seen comments from the NPS that the intent with the word “model” was a person or thing added to the natural or historic setting, and that the meaning of “model” could often be up to the whims of enforcement personnel.

The proposed rule makes some attempt to deal with this by excluding filming and photography by visitors from permit requirements, but unfortunately, it doesn’t define visitor …”

Recommendation————–

The problems could be fixed by providing definitions for “model” and “prop.” The definitions might read;Model means a person who poses for filming, photography, videotaping, or recording by other means for the purpose of promoting the sale or use of a product or service.

Prop means an object such as a vehicle, boat, article of clothing, food and beverage product, or other commercial article filmed, photographed, videotaped, or recorded by other means to promote its sale or use.

These definitions are simplified versions of ones provided by the Forest Service and BLM after the enactment of Public Law 106-206; I suspect they connected the terms to commercial advertising because they could not think of any other way to provide adequate definitions. Quite honestly, neither can I. Adding these or similar definitions would ensure that the new rules are the same as those that have been in effect for well over a decade.

Requiring, in essence, a permit for photography for commercial advertising isn’t quite the same as requiring a permit simply because a photographer may sell the images, which is impossible to determine unless enforcement personnel can read the photographer’s mind. The activity involved in photography for commercial advertising is much like pornography for Potter Stewart: it may be difficult to define, but it’s usually easy to recognize. Stated otherwise: without the connection of models and props to commercial advertising, we would have less protection than we currently have.

I would go one step further to make the rule simpler and tidier by requiring permits for commercial filming and photography, and defining commercial photography to the effect of Commercial photography means the recording of a still image on film, electronic, magnetic, or other media and using models, props, or sets that are not a part of the location’s natural or cultural resources or administrative facilities.

The world will not end if this rule is issued as proposed; however, photographers may have less protection than under current rules. A few simple changes could eliminate the problems. Federal agencies do payattention if enough comments are received; in 2005 the proposed rule for permits in the U.S. National Arboretum was changed in response to just over 100 comments.

Comment Period and Contact Information————————————–

The public comment period for the rule extends to 19 October 2007.

The part of the Federal Register in which the proposed rule appear can be obtained from the GPO Access website; search for “filming”.

The relevant result is in the Federal Register on 20 August 2007 (fr20au07P)

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